for one single second i thought the doctors name was “please” and was incredibly confused.
(via doctorwho)
IF YOU DIDN’T THINK LORD FARQUAAD FROM SHREK WAS THE CREEPIEST THING YOU’VE EVER SEEN YOU’RE LYING TO YOURSELF
LORD FARQUAAD MORE LIKE LORD WHATTHEFUCKWHYWOULDTHEANIMATORSTHINKTHISISOKAYFORAKIDSMOVIEJESUS
(via foreveralone-lyguy)
I’m generally quite a content person, but I do have my pretty hefty share of bad days. these are some of the things I do to cheer myself up.
(via wasarahbi)
WHEN I WAS 4 I WAS ON SESAME STREET AND I HAD AN INTERVIEW WITH GROVER AND HE ASKED ME HOW IT FELT WHEN I FALL OFF MY BIKE AND I CHUCKLED DARKLY AND SAID “I DON’T FALL OFF MY BIKE” AND HE LOOKED AT THE CAMERA AND SAID “oh.” NAD THEN I SATRTED POINTING AND LAUGHIGN AT HIM AND THEN THEY CUT TO THE NEXT SCENE AND THAT WAS IT THAT IS MY LEGACY
(via concentration-lamp)
“Five cute boys, stuck in a van with nothing much to do, decide to reenact The Book of Mormon’s opening number, because why not? Says a commenter on Towleroad: “The line between Mormon missionaries, chorus boys, and gay porn is so thin sometimes…”
BROOK I FOUND YOU A THING
I’m in love with the 14-17 year old in the front to the left. And I feel very wrong about that.
I’m proud of the kiddo who held out that note. I think he’s proud of himself too. Anyway, this is fantastic!
HAHAHHA elder cunningham holy jesus I’m crying
I fell out of my seat when Elder Cunningham popped on the screen
(via foreveralone-lyguy)
Amy Brener
These latest sculptures by New York-based artist Amy Brener are something magical. Made of a combination of materials like resin, pigment, and glass (Brener describes these as “totemic structures…of an imagined future,”) these objects combine natural and artificial aesthetics to create something familiar yet strangely distant from a what we know. As the artist describes:“Some sculptures may be markers for an unknown border, while others hint at vehicular function. Some surfaces are ordered into compositions that allude to touch-screen platforms, energy cells and the digital logic of a different reality. Other surfaces are left to chance: to crystallize, crack under pressure and weather with time. Common sculpture materials such as resin and concrete shed their associations and morph into geological forms. I enforce approximations of natural processes onto my sculptures. Notions of sedimentation, erosion and fossilization come into play.”
See more of Brener’s work at her website here. And read more at her MoMA Studio Visit Page here.
- Erin Saunders
i wish someone loved me the way Jay Gatsby loves Daisy
NO YOU DON’T
John Green’s car breaks down
The Fault in Our Cars
John Green gets locked in a pub
The Fault in Our Bars
John Green writes a strongly…